[5]:384–385,406 Taylor and Burton's relationship was often referred to as the "marriage of the century" by the media, and she later stated, "After Richard, the men in my life were just there to hold the coat, to open the door. [1]:75–88 Film tycoon Howard Hughes also wanted to marry her, and offered to pay her parents a six-figure sum of money if she were to become his wife. [1]:75–83 Taylor had been only 16 at the time of its filming, but its release was delayed until March 1950, as MGM disliked it and feared it could cause diplomatic problems. Betty Ford became the First Lady when President Nixon resigned and made her Vice President husband, Gerald Ford, the acting President. [79][80], Dubbed "Liz and Dick" by the media, Taylor and Burton starred together in 11 films, and led a jet-set lifestyle, spending millions on "furs, diamonds, paintings, designer clothes, travel, food, liquor, a yacht, and a jet". While this version did not match the popularity of the previous 1933 film adaptation of Louisa M. Alcott's novel, it was a box-office success. [5]:436[62] She gave one last public performance in 2007 when, with James Earl Jones, she performed the play Love Letters at an AIDS benefit at the Paramount Studios. Taylor received the best reviews of her career for Woolf, winning her second Academy Award and several other awards for her performance. [23] Herb Golden of Variety said that Taylor's "histrionics are of a quality so far beyond anything she has done previously, that Stevens' skilled hands on the reins must be credited with a minor miracle. Elizabeth “Liza” Todd was born that August. [72], Taylor was honored with several awards for her philanthropic work. LOS ANGELES (Hollywood Reporter) - On June 10, 1966, Life magazine did one of its many cover stories on Elizabeth Taylor. Photo: API/GAMMA/Gamma-Rapho via Getty Images. [1]:11–19 Cazalet was Taylor's unofficial godfather, and an important influence in her early life. [1]:40–47 The studio also wanted to dye her hair and change the shape of her eyebrows, and proposed that she use the screen name "Virginia", but Taylor and her parents refused. [5]:27–37 Both studios offered Taylor contracts, and Sara Taylor chose to accept Universal's offer. Known as one of the last stars of the classical Hollywood cinema, she achieved global acclaim for her performances in Lassie Come Home (1943), National Velvet (1944), Giant (1956), Cleopatra (1963), Cat on a Hot Tin Roof (1958), etc. [5]:175,189 Reflections was a critical and commercial failure at the time of its release. [39] She became the first actress to be paid $1 million for a role; Fox also granted her 10% of the film's profits, as well as shooting the film in Todd-AO, a widescreen format for which she had inherited the rights from Mike Todd. [133], Taylor is considered a gay icon, and received widespread recognition for her HIV/AIDS activism. [122] When the era of classical Hollywood ended in the 1960s, and paparazzi photography became a normal feature of media culture, Taylor came to define a new type of celebrity, whose real private life was the focus of public interest. [116] She was entombed in the cemetery's Great Mausoleum. Taylor earned her first Oscar, capturing the coveted Best Actress award for her role as a call girl in Butterfield 8 (1960). "[81] They divorced for the first time in June 1974, but reconciled, and remarried in Kasane, Botswana, on October 10, 1975. [55], In the 1990s, Taylor focused her time on HIV/AIDS activism. [1]:203–210 The affair – and Fisher's subsequent divorce – changed Taylor's public image from a grieving widow to a "homewrecker". They moved to London in 1929 and opened an art gallery on Bond Street; their first child, a son … [5]:71 Life called her "Hollywood's most accomplished junior actress" for her two film roles that year. [21], Taylor's next film release, George Stevens' A Place in the Sun (1951), marked a departure from her earlier films. [5]:313–316 Her third film role that year was playing a blonde diner waitress in Peter Ustinov's Faust parody Hammersmith Is Out, her tenth collaboration with Burton. [5]:186–189 It was also panned by critics and grossed only $600,000 in the box office. [1]:211–223 The studio correctly calculated that Taylor's public image would make it easy for audiences to associate her with the role. [1]:203–210 Cat grossed $10 million in American cinemas alone, and made Taylor the year's second-most profitable star. Even more impressive was the fact that, unlike so many child stars before and after her, Taylor proved she could make a seamless transition to more adult roles. In 1968, Taylor starred in two films directed by Joseph Losey – Boom! She'd met and fallen in love with the actor during her work on Cleopatra (1963), a film that not only heightened Taylor's clout and fame but also proved to be a staggering investment, clocking in at an unprecedented $37 million to make. In order to convincingly play 50-year-old Martha, Taylor gained weight, wore a wig, and used make-up to make herself look older and tired – in stark contrast to her public image as a glamorous film star. Her persona ate her alive. [1]:203–210 She received positive reviews for her performance, with Bosley Crowther of The New York Times calling her "terrific",[33] and Variety praising her for "a well-accented, perceptive interpretation". She followed that up with a bigger role in Lassie Come Home (1943) and later The White Cliffs of Dover (1944). These included two film adaptations of plays by Tennessee Williams: Cat on a Hot Tin Roof (1958), and Suddenly, Last Summer (1959); Taylor won a Golden Globe for Best Actress for the latter. [1]:40–47 She later called it "the most exciting film" of her career. and Secret Ceremony – both of which were critical and commercial failures. She was introduced to “pep pills” by her mother , who insisted The Wizard of … [65][66] The following month, the foundation merged with Dr. Mathilde Krim's AIDS foundation to form the American Foundation for AIDS Research (amfAR). Her mother had been an actress on the stage, but gave up that vocation when she married. [9], Taylor received another opportunity in late 1942, when her father's acquaintance, MGM producer Samuel Marx, arranged for her to audition for a minor role in Lassie Come Home (1943), which required a child actress with an English accent . There's some acting in it, as well as some personal display. "[50] She appeared as evil socialite Helena Cassadine in the day-time soap opera General Hospital in November 1981. [44] The film also became one of the biggest commercial successes of the year. Plush chenille and velvet upholstery increase the comfort factor wherever you sit and relax. [117], -Vincent Canby of The New York Times in 1986, Taylor was one of the last stars of classical Hollywood cinema,[119][120] and one of the first modern celebrities. [129] David Thomson stated that "she had the range, nerve, and instinct that only Bette Davis had had before – and like Davis, Taylor was monster and empress, sweetheart and scold, idiot and wise woman". "[5]:vii,437 [1]:27–31 Through a client and a school friend's father, Taylor auditioned for both Universal Pictures and Metro-Goldwyn-Mayer in early 1941. [5]:10–11[1]:211–223 The film's production – characterized by costly sets and costumes, constant delays, and a scandal caused by Taylor's extramarital affair with her co-star Richard Burton – was closely followed by the media, with Life proclaiming it the "Most Talked About Movie Ever Made". Her few acting roles included characters in the animated series Captain Planet and the Planeteers (1992) and The Simpsons (1992, 1993),[56] and cameos in four CBS series – The Nanny, Can't Hurry Love, Murphy Brown, and High Society – in one night in February 1996 to promote her new fragrance. 1959: Elizabeth Taylor Converts to Judaism . [124][126][128] In contrast, Mel Gussow of The New York Times stated that "the range of [Taylor's] acting was surprisingly wide", despite the fact that she never received any professional training. [1]:141–143, Taylor's first two films made under her new contract were released ten days apart in early 1954. [8][1]:9 Sara was initially opposed to Taylor appearing in films, but after the outbreak of war in Europe made return there unlikely, she began to view the film industry as a way of assimilating to American society. If you see something that doesn't look right, contact us! "[5]:193[41] Biographer Alexander Walker compared these films to "illustrated gossip columns", as their film roles often reflected their public personae, while film historian Alexander Doty has noted that the majority of Taylor's films during this period seemed to "conform to, and reinforce, the image of an indulgent, raucous, immoral or amoral, and appetitive (in many senses of the word) 'Elizabeth Taylor'". [71] The claim was challenged by several people, including amfAR's former vice president for development and external affairs, Taylor's former publicist, and activists who were involved in the Project Inform in the 1980s and 1990s. Wikimedia Commons Images She and Todd tied the knot in February 1957 in Acapulco, Mexico, and in August of the same year, they welcomed their only daughter, Elizabeth “Liza” Todd. [1]:224–236 Crowther wrote that Taylor "looks like a million dollars, in mink or in negligée",[37] while Variety stated that she gives "a torrid, stinging portrayal with one or two brilliantly executed passages within". [5]:158–165[28] To further complicate the production, Dean died in a car accident only days after completing filming; grieving Taylor still had to film reaction shots to their joint scenes. [1]:99–105 The film became a box-office success upon its release in June, grossing $6 million worldwide, and was followed by a successful sequel, Father's Little Dividend (1951), ten months later. [110][111] Taylor was a heavy smoker until she experienced a severe bout of pneumonia in 1990. ", "Elizabeth Taylor: the original celebrity perfumer", "Obsessions: Elizabeth Taylor, queen of cologne", "House of Taylor Jewelry, Inc. [5]:388–389,403, After a period of semi-retirement from films, Taylor starred in The Mirror Crack'd (1980), adapted from an Agatha Christie mystery novel and featuring an ensemble cast of actors from the studio era, such as Angela Lansbury, Kim Novak, Rock Hudson, and Tony Curtis. [68] In 2015, Taylor's business partner Kathy Ireland claimed that Taylor ran an illegal "underground network" that distributed medications to Americans suffering from HIV/AIDS during the 1980s, when the Food and Drug Administration had not yet approved them. [1]:3–10[a] They moved to London in 1929 and opened an art gallery on Bond Street; their first child, a son named Howard, was born the same year. In her first mature role, the thriller Conspirator (1949), she plays a woman who begins to suspect that her husband is a Soviet spy. [5]:158–165 The change benefited Taylor, who finally found more challenging roles after several years of career disappointments. In the glare of the Hollywood spotlight, the young actress showed she was more than adept at handling celebrity's tricky terrain. She created a beautiful house with soft colors, impressive paintings, and personal photographs. Actress Elizabeth Montgomery made magic on TV's top-rated sitcom Bewitched from 1964 to 1972. Elizabeth Taylor was in the public eye since her silver screen debut at 10 years old. [14][1]:58–70[15], They were followed by supporting roles as a teenaged "man-stealer" who seduces her peer's date to a high school dance in the musical A Date with Judy (1948), and as a bride in the romantic comedy Julia Misbehaves (1948). I feel as if I have been a Jew all my life". I'll love you for ever. [1]:38–41 Following Lassie, she appeared in minor uncredited roles in two other films set in England – Jane Eyre (1943), and The White Cliffs of Dover (1944). [5]:211–217 Secret Ceremony is a psychological drama which also stars Mia Farrow and Robert Mitchum. [5]:158–165 Although not nominated for an Academy Award like her co-stars, Taylor garnered positive reviews for her performance, with Variety calling it "surprisingly clever",[29] and The Manchester Guardian lauding her acting as "an astonishing revelation of unsuspected gifts". At the age of 3, the young Taylor started dancing and eventually gave a recital for Princesses Elizabeth and Margaret. [1]:22–23,27–37 After a trial contract of three months, she was given a standard seven-year contract in January 1943. Beau Brummell was a Regency era period film, another project in which she was cast against her will. Ahead, CR looks back on Taylor's many passions, romantic and otherwise. [1]:148,160 As Taylor grew older and more confident in herself, she began to drift apart from Wilding, whose failing career was also a source of marital strife. Elizabeth Taylor… Elizabeth Taylor, the legendary actress famed for her beauty, her jet-set lifestyle, her charitable endeavors and her many marriages, has died, her publicist told CNN Wednesday. [1]:40–47 The fracture went undetected for several years, although it caused her chronic back problems. [65][66][69] Since her death, her estate has continued to fund ETAF's work, and donates 25% of royalties from the use of her image and likeness to the foundation. Christopher Edward Wilding (February 27, 1955) Father: Michael Wilding3. [5]:242–243, 246 Taylor's third film with George Stevens, The Only Game in Town (1970), in which she played a Las Vegas showgirl who has an affair with a compulsive gambler, played by Warren Beatty, was unsuccessful. Her contract was terminated after a year, ending in divorce in July 1962 ]. 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